Before they Call I will Answer
and While They Are Yet Speaking I Will Hear.[1]
Holy Trinity's interior looked slightly different in the years
immediately after it was built from this early twentieth century image
when there was a biblical text painted around the chancel arch[1].
William Adam provided a good description of the early church in his various
editions of "Gem of the Peak". "The
transepts, and down each side of the body of the church, are
pewed, while the centre is fitted up with comfortable benches,
with backs and kneeling boards, as free sittings. We like this
arrangement, not only for its effect, but because it enables
the poor man to obtain as good a position for hearing and seeing
as the rich"[2].
The pews, shown in a sketch in a number of his books (below),
were boxed and the octagonal pulpit and reading desk at the corners
of the transepts were enclosed within these pews. They were raised
up so the vicar and whoever was reading the lesson could, presumably,
have a good view of the congregation.
The interior measured 95 feet in length, and from the tower to
and including the communion table was 79 feet. It was 27 feet
and 3 inches in breadth. The transepts were 53 feet long and
21 feet wide. "It is in the old English style ... and
fitted up with great simplicity and true elegance".
The vestry was beneath the tower, with a small loft for the organ
and choir. "The furniture, cushions, carpeting, &c.
are crimson velvet and cloth"[2].
Mr. Edward Beaumont, who lived for some time at the New Bath Hotel,
was very generous when the Church was built. Not only did he contribute
to cost of the fabric and the organ but he also provided the communion
plate. Two vicars, Rev. Pelly and Rev. Barker, jointly paid for
a burnished brass lectern that was installed after alterations
to the Church[3].
The stained glass window above the altar is in memory of Mr. Charles
Clarke and was paid for by his widow. The central compartment is
a representation of Christ on the Cross, to the left are two apostles
and to the right Mary, the mother of Jesus, and Mary Magdalene.
Immediately below the window is the reredos, divided into three
and surrounded by a cornice of Derbyshire marble, with pilasters
in relief. "The panels of the recesses are ornamented,
the central one with a cross, those at the sides with geometrical
designs, the effect of the whole being heightened by bosses of
local spars and marbles"[3].
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Adam's 1845 sketch.
He noted that "beneath a very rich gothic window is placed the communion table,
which is surrounded with ancient gothic woodwork, finished with pediments and finials,
with crockets up the the angles of the pediments, and oak railings in front"[2]. |
Holy
Trinity Church, Matlock Bath - Memorial Inscriptions in the Church
Holy
Trinity Church, Matlock Bath - Memorial Inscriptions in the Churchyard
Finding
the Churchyard Inscriptions
Matlock
Bath Burials, 1845 - 1866
Matlock
Bath Holy Trinity Banns, from 1846 |
References:
[1] The text written around the chancel arch
in the top image is from Isaiah 65: 24. Biblical texts were painted in
a number of churches in the later nineteenth and early 20th century. Some survive today.
[2] Adam, W. (1857, 6th edtn.) "The
Gem of the Peak; or Matlock Bath and Its Vicinity". ...
John and Charles Mozley, Derby and 6, Paternoster Row, London;
Bemrose .... (own copy). The sketch was first published in the 1845 edition of his book.
[3] Bryan, Benjamin (1903) "History
of Matlock - Matlock, Manor and Parish" London by Bemrose & Sons,
Limited.
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