Matlock Bath.
Drawn on Stone by J. D. Harding from a Sketch by S. Rayner.
Printed by C. Hullmandel.
Samuel Rayner's vibrant drawing of South Parade, with its
museums and Great Petrifying Well, was published as a lithograph
in "Sketches of Derbyshire Scenery, Part 1", a
book dating from the time when he was living in a house
on Museum Parade (South Parade). The book was published
in 1830 by J. Vallance of the Centre Museum, Matlock Bath
and contained a series of lithographs from Mr. Rayner's
sketches. The sketches were reproduced on stone by J. D.
Harding, and the plates were then printed by Hullmandel.
The artist would have been standing opposite the entrance to
the Old Bath Hotel, above the Fish Pond Hotel (know as the
Old Bath Tap at the time), to draw the scene. The Upper
Towers, high up on the hillside above Matlock Bath on the
Heights of Abraham, must have only just been built. Just
below the property there is almost a line of buildings. The
Temple Hotel is on the far left, then there is Masson House
on Upperwood Road, slightly lower down is Belle View and
then there is a squarish building is the Lower Tower. The
former Great Hotel has been split and amongst the buildings
in the row on South Parade are Hodgkinson's Hotel and the
two museums of Mr. Vallance and Mr. Mawe (later Adam's),
which then had porticoes over their entrances. They look
to have been rather flimsy structures in a contemporary engraving
of Matlock Bath executed on black marble by Mrs. Ann Rayner[1].
The large bay window shows where Mawe's Museum was. Below
the man looking over the wall are the stables and the horse
pond, which later became known as the
Fish Pond.
When Mr. Brown had opened the Museum in about 1813, he had
planted a chestnut tree with a diameter of about five inches.
In 1829 Mr. Barker recorded that its circumference was by
then nine feet![2] The
Museum's garden was on the opposite side of the road.
On a rock beside the entrance was a large, rare bird!
Matlock
Bath & Scarthin
Newspaper Cuttings, 1828: Ornithology.
In May 1831 John Vallance announced that he would "possess"
Mr. Rayner's beautiful works and would exhibit them in the
forthcoming season[3].
He displayed several drawings in his museum that had been
executed by Mr. Rayner on black marble tablets[3].
So who were the people involved with the lithograph?
Charles Joseph Hullmandel (1789-1850) became the
finest lithographer in Britain[4].
He also printed lithographs. In the 1840s he went into
partnership with Joseph Fowell Walton, who continued the
business for a time after Hullmandel's death[5].
James Duffield Harding (1797-1863) was a landscape
painter and lithographer who was born in Deptford[6] who
worked closely with Hullmandel and travelled with him to
Italy[4].
Samuel Rayner (1806-1879) was the head of a family
of artists and lived on Museum (South) Parade for some
years[7].
The building with the big bay window in the middle of the
parade had been Mr. Mawe's Royal Museum and next door was
another Royal Museum, begun by Mr. Vallance in 1831[3];
this eventually became Smith's Royal Museum. Perhaps
emphasis in the sketch might have been given to the large
bay window and the entrances of the Museums, as they seem
to stand out on the Parade, because of Rayner's link to Matlock
Bath.
Although it is not known exactly when the association between
Vallance and Rayner ended, the Rayner family didn't remain
in Matlock Bath as Samuel moved his business to 17 Friar
Gate, Derby[8] in
the 1830s and from there they went to London.
Glover's
Directory, 1827-8-9 shows
a "John" Rayner in Matlock Bath
Henricus
: "The Matlock Tourist" (1843).
Paragraph 3 mentions Mr. Rayner
|