Smith's Royal Museum was a family
business that passed down through several generations,
beginning with Samuel Smith (1835-1900) whose father William
worked as a gardener at the Heights of Abraham[1].
There were several Royal Museum's in Matlock Bath in the
nineteenth century, starting with Mawe's Original Royal Museum
which was on the first floor the building next door, the
property with the huge bay window. Perhaps not everyone knew
where Mawe's Museum was, as two advertisements in 1833 and
1834 announced that it "is known by the large projecting
window from the Second Story [sic], and the only
Entrance is by a flight of Stairs[2].
There was an entrance hall on the ground floor and in 1834
"a splendid Marble Bust of the "Apollo Belvidere" was
on display there. Mr. Mawe's Museum became Adam & Co[3].
Then there was Mr. Vallance's Central Museum, shown in these
photos, that also became Royal once it had been visited by
Queen Adelaide in 1840[4].
Vallance had worked for both Mr. Mawe and his father in law,
Mr. Brown, before setting up on his own.
"THE CENTRE MUSEUM (Mr. Vallance's). - This we give the
precedence to after the Old Museum, although only of 6
years standing, because, as already stated, Mr. Vallance
had been in the business many years, and consequently his
establishment is next in importance and capacity, and from
his long residence since he was originally sent by Mr.
Brown (no less than 27 years ago) he must be perfectly
acquainted with all the details of the business, and must
possess a good stock worthy the attention of the visitor,
his unremitting energy and attention cannot be questioned"
(William Adam, 1838)[5].
In Vallance's time both this Museum and that of Mr. Mawe
next door were decorated with "large and beautiful porticoes",
taken down just before Arthur Jewitt's book was re-published
in 1835. It also had a large obelisk painted over each of
its doorways and was described as "directly
facing the two large obelisks at the entrance to the Museum's
gardens"[6].
"Mr. Vallance's Workshops are opposite his Museum,
and it is a subject of regret generally that there was
a necessity when Mr. V. left the Old Museum (i.e. Mawe's)
for building these here, as by doing so it obstructed a
magnificent view of the river, and cut up what was then
a lovely garden, both the Museum and Vallance's being in one -
and certainly it has not been improved by setting up the
two wooden obelisks on such a portico"[5].
Perhaps Vallance was making a point, especially as he was
selling obelisks, then fashionable items to own, in his museum.
Vallance's Museum was taken over by Mr.
Thomas Walker[7].
Below is another account by William Adam, published in a
later edition of his book.
THE CENTRE MUSEUM.-Mr. Walker, who has been so long in
the possession of "The Lover's Walks and Boats," has
succeeded the late Mr Vallance in this establishment, and
it is the first in importance and capacity. Mr. Walker
purchased the best part of the stock on entering, especially
in the beautiful Blue John, now become so rare ; and with
considerable new additions in all the departments of the
Derbyshire manufacture (inlaid tables, needles, vases, &c.),
he has acquired a beautiful and extensive stock, which
must impress the visitors who look through his establishment,
with the great beauty and perfection to which the native
manufacture has attained. Mr. Walker has long been connected
with the spar and marble business, which he has carried
on for years over the ferry by the boats.
(William Adam, 1857)[8]
The Centre Museum, by this time designated as a "Royal
Museum", was eventually run by the Smith family. Herbert
Buxton, another familiar name in the world of Matlock Bath's
museum owners, ran a third "Royal Museum" a
little further down the road on the opposite side[9]. |
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From: White's 1862 Directory,
Matlock Bath
"Of the Museums at the Bath, the principal is Walker's
(late Vallance), in which the goods are
open to visitors free of charge; amongst the most beautiful
must be named the black marble from the quarries of
Ashford and Bakewell, which is formed into the most
elegant tables, vases, inkstands, &c., beautifully
inlaid and engraved. The Fluor Spars, of
which the "Blue John" is the most recherche,
is also manufactured into an endless variety of ornaments,
from the superb vase to the elegant brooch or locket. To
the admirers of these articles we would particularly recommend
a visit to Mr. Walker's Museum, where the largest and
most choice assortment is to be found". |
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The top photograph shows a sign to right of Smith's shop, with
a blackboard below, that reads, "Large and Small Parties
Catered For At Shortest Notice". The sign was for Astill's
cafe, which was bought by the Astill's in 1925[10].
This was where Mr. Mawe's Museum, the first in Matlock Bath,
had been a hundred years before.
Smith's Royal Museum specialised in Blue John, the
rare stone which was worked into vases and other ornaments
for over a century and a half by the turners at Matlock Bath[11].
The Smith family had spar workshops across the road behind
their Petrifying Well, already mentioned above, and a boat
landing stage on the banks of the Derwent. The obituary notice
for Samuel Smith in 1900 recorded that he had been in business
at Matlock Bank, but about a dozen or fifteen years before
his death he became associated with one of the museums and
spar shops in Matlock Bath, carrying on the work of turning
marble[12].
In 1887 he had sued his late landlord, Mr. Samuel Wade, of
Derby, formerly of Matlock, for £50 damages sustained
when Wade trespassed and removed a verandah from over the
shop. It was bought by Miss Ellen Smedley of the Midland
Hotel and it is not clear whether it was ever put back, even temporarily[13].
Samuel Smith was followed in the business by his son William,
who had married Emily Jane Burton. In the 1911 census their
teenage son William Ernest Smith was assisting his father
in the spar business alongside Emily Jane's brother, Walter
Burton. William Smith's brother, Samuel Walker Smith, was
keeping the shop[14].
Two other sons, Walter and Arthur, had not been born.
Mr. Smith worked many famous pieces, including a Blue John
vase which was presented to Queen Mary when she passed through
Matlock Bath in 1913 on her way from Chatsworth to
Derby[15]. An appeal
for donations towards the cost was made to every householder
at the time[16].
Emily Jane Smith and her daughter Florence, known as Flossie.
William Smith died in January 1938 and it was said that many
thousands of visitors to Matlock Bath had seen examples
of his work. When he was younger he had also been a well
known local footballer, playing for Matlock Town when the
club was in the Midland League. He left a widow (Emily Jane),
three sons and two daughters[15].
Two of his sons, William Ernest (Bill) and Walter (later
Mr. Burton-Smith) carried on the business throughout World
War Two[10].
Bill Smith died soon after the war, leaving Walter Burton-Smith
to run the shop and another brother, Arthur, took over the
petrifying well and the boats.
Flossie Smith.
This interior shot shows a wide range of goods for sale to
tempt the tourist.
Everything from racquets, to cricket bats and umbrellas as
well as the usual
array of small ornaments that were sold alongside the more
expensive pieces.
The compulsory purchase and enforced closure of the petrifying
well and workshops for road widening in the 1960s and the sale
of the shop meant the end of the Smith family's involvement
in the business community of Matlock Bath. It brought an end
to a family business of skilled craftsmanship that had been
established in the Matlocks in 1856.
Royal Museum advertisement, about 1950
There is a nineteenth
century stereoview of South Parade which shows Smith's
Royal Museum (it is in the "Just images" section of the site.).
Thomas Walker's Advertisement in Hall's
Day's in Derbyshire, 1863.
Bemroses' Guide to Matlock ... , about 1869, Walker's Marble Museum
In
2016 Christies of London advertised a wonderful inlaid
centre table made of Ashford Black Marble,
which had a label stating it had been made by Thomas Walker
of Matlock Bath in 1864.
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References (coloured
links are to transcripts or more information elsewhere on
this web site):
[1] Samuel was with his parents in the
1841 census | the 1851
census. Also see his baptism in 1835 at Cromford: Strays,
S. His parents, William and Sarah, nee Walker, had married
at Wirksworth on 29 May 1828. Samuel married Ellen Robinson,
daughter of Richard Robinson of Bonsall, on 11 December 1858
at Madron, Cornwall where he was employed as a Serpentine
Worker for a time.
[2] "The Derby Mercury",
25 September 1833 and 17 September 1834. The directions to Mawe's
Museum were in a footnote to advertisement's for Mawe's Original
Royal Museum. These days we would describe Mawe's Museum as being
on the first floor. The big bay window is still a prominent feature
on South (Museum) Parade.
[3] See William
Adam's "The Gem of the Peak" (1840).
[4] "The Derby Mercury",
5 August, 1840. She visited Adam & Co. and then went to Vallance's
next door, where she made some purchases.
[5] Adam, W. (July 1838) "The Gem
of the Peak; or Matlock Bath and Its Vicinity. ..." London;
Longman & Co., Paternoster Row ; ... Mawe, Royal Museum,
Matlock ; .... This was the first edition of his guide.
[6] Jewitt, Arthur (1835) "The
Matlock Companion; and visitor's guide to the beauties
of Matlock ..., including also a brief sketch of Buxton".
Second edition. Duffield, Derby. To see the porticoes, plus
the obelisks on top of the one outside Vallance's Museum, see
Jewitt's sketch from the 1832 edition of his book on
Dudley
Mall: Samuel Rayner (1806 - 1879) (scroll down)*.
*Site currently unavailable.
[7] "The Derby Mercury",
27 June 1855. One of several notices announcing that Thomas Walker
had taken over from the late John Vallance. He was at the Royal
Museum at the time of the 1861
census. The "Derbyshire Times and Chesterfield Herald" of
3 December 1870 advertised an auction of his stock. Also see an
advertisement in Bemrose's Guide, 1869 and another published
in Hall's "Days
in Derbyshire",1863. He can also be found running the Museum in
both Kelly's 1855 Directory | Kelly's 1864 Directory
[8] Adam, W. (1857, 6th edition)
"The Gem of the Peak; or Matlock Bath and Its Vicinity. ...
John and Charles Mozley, Derby and 6, Paternoster Row, London; Bemrose ....
[9] See Mr.
Buxton's Royal Museum & the Great Petrifying Well
[10] Recollections of the late Mr. Frank
Clay, from private papers and notes owned by Mrs. Doreen Buxton,
some of which were written in 1992 and are still within copyright.
[11] See Nineteenth
Century Guides, including Adam's "Gem
of the Peak" | Nineteenth
Century Trade Directories
[12] "Derbyshire Times", 17 February 1900. Samuel
Smith and his wife Ellen can be found in Matlock Bath in the
1861 census | living on Matlock Bank in the
1871 census | back in Matlock Bath in the
1881 census | the
1891 census | his family were in Matlock Bath in the
1901 census. Also see: Wills S
[13] "Derby Daily Telegraph",
17 May 1887.
[14] The 1911 census is available on
FindMyPast (see Links in footer). William and Emily Jane can
also be found in the
1901 census. See the family MIs at Holy Trinity - go to MIs
Surnames S
[15] "Derby Daily Telegraph",
5 January 1938. Notice of the death of William Smith, aged 77.
[16] "ibid.",
22 December 1913. Mr. G. H. Key referred to the vase and the
appeal at a Council meeting.
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